Posts mit dem Label experimental werden angezeigt. Alle Posts anzeigen
Posts mit dem Label experimental werden angezeigt. Alle Posts anzeigen

Donnerstag, 5. April 2007

Midrash Mish Mosh



Aaron Alexander presented a very, very fine album in 2004 with Midrash Mish Mosh, featured in Tzadik's Radical Jewish Culture series and situated somewhere in a place where klezmer meets avantgarde and jazz. There's a whole bunch of musucians on the record - here are the playful Peep Nokh A Mol and Balagan Balaban, which balances on a line between total chaos and extremely tight structure - imagine maybe a dozen of violent but fun madmen, all kept in a small room.


Download Aaron Alexander - Peep Nokh A Mol (192 kbps, 7,45 mb)
Download Aaron Alexander - Balagan Balaban (192 kbps, 9,97 mb)
Buy Aaron Alexander - Midrash Mish Mosh from Tzadik (RIAA-free!)

Mittwoch, 4. April 2007

Die Kosmische Zygote



Another wonderful piece by Aalfang Mit Pferdekopf, this time in collaboration with Sascha Stadlmeier, also known as Emerge. This one's entitled Die Kosmische Zygote and is a double re-working of another original piece by Aalfang Mit Pferdekopf which, to my knowledge, hasn't been released. Enjoy.

Download Aalfang Mit Pferdekopf & Emerge - Die Kosmische Zygote (256 kbps, 42,4 mb)
Buy Die Kosmische Zygote from taâlem (RIAA-free!)

Samstag, 31. März 2007

Im Schlachthaus Blümen die Blumen

So about a week ago, I was wandering around in the district of Leipzig I live in, to the bank, then shopping for food. It must have been Saturday afternoon, the party folk haven't yet arrived and the working folk have already called it a day so there was barely anyone out in the streets, and I was listening to Aalfang Mit Pferdekopf. The name would at first suggest some neo-kraut band but is apparently a reference to Günther Grass' novel The Tin Drum and the band is an experimental ambient/avantgarde sound collage group. I first heard of them via Drone Records and recently got some other records of them - beautiful. I give you the first track off Im Schlachthaus Blühen die Blumen.



Download Aalfang mit Pferdekopf - Yahonami (VBR, 27,1 mb)
Buy Aalfang Mit Pferdekopf - Im Schlachthaus Blühen Die Blumen from Ex Ovo (RIAA-free!)

Freitag, 16. März 2007

"I saw and heared; for such a numerous host Fled not in silence through the frighted deep."

My have I got stuff for you, being back from a three day hiatus or so. The whole first CD of The Hafler Trio's Normally, now isn't that something. I do not assume I have to explain who The Hafler Trio are, if I do I don't feel like it so go explore their site on Brainwashed.com or read Wikipedia or whatever. This thing is based on the voice of Blixa Bargeld, apparently just reading the same phrase three times, which apparently is "Hören Sie denn nicht diese entsetzliche Stimme, die um den ganze Horizont schreit und die man gewöhnlich die Stille heißt?", which, translated into English, would read something like "Do you not hear that horrifying voice screaming all around the horizon which is normally being called silence?" Well, read the description by The Hafler Trio itself:

""Normally" reunites The Hafler Trio and Soleilmoon for the first time since 1996, when "An Utterance of the Supreme Ventriloquist", a limited edition clear vinyl LP wrapped in hand-made Japanese paper was released. The first CD in this two disc set is based on the voice of Einsturzende Neubauten's Blixa Bargeld. A particular phrase was read three times, in Blixa's three trademark vocal styles: whispering, hysterical and ordinary. "Normally," the title of this CD, is a reference to part of what Blixa didn't say when he spoke his phrase, and also to the way the German word for "Normally" is used. Although there are seven titles associated with the album, the music flows as one continuous track. They refer to different sections in the piece, but some of the changes are subtle, and the listener is left to discover them on her own. Or not. The second disc, "Sphotavado", is also based on vocal recordings by the Einsturzende Neubauten frontman. Three "meaningful" vowels were taken and arranged according to certain rules of Sanskrit. By repetition of these sounds, vibratory rhythms are created in the body to awaken the psychic fields. Everything, from our thoughts and ideas all the way up to things like people, trees and mountains, is a result of these vibrations. Along with its energy, every object has its accompanying range of sounds. Vibration is therefore a result of sound, not its cause. The name "Sphotavado" is the name given to this concept of sound, and is referred to in many tantras. It forms the foundation of tantric mantras, which are a fundamental aspect of Vedic rituals. Like the music inside, the packaging for this release is at once subtle and complex, presenting a simple and clean exterior that opens and unfolds to reveal (or hide) its complex inner workings. Designed by The Hafler Trio mastermind Andrew McKenzie himself, the sleeve and accompanying artwork are an intrinsic part of the whole package. It is essential that the music be played back through speakers, rather than through headphones, where its effects would be negated. Likewise, conversion to MP3 will render the music ineffective, as the compression removes the most important information. Andrew McKenzie's favorite fruit is the pomegranate."

I am not sure exactly how different the uncompressed version sounds in this case, but the 256 kbps version sounds great to me. Here are the ~ 64 minutes of the first CD for you, enjoy.


Download The Hafler Trio - Hören Sie Denn Nicht Das Schreien Ringsum, Das Man Gewönlich Stille Heißt? (As When No One Is Speaking/Outside the Mazes With Unravelled Head/In No Wise Being Double/At the Other End Of the Great Chain Of Being/I, Thou, He, She, We, You/Nothing Continues To Happen) (256 kbps, 117 mb)

Buy The Hafler Trio - Normally from somewhere (RIAA-free!)

Montag, 5. März 2007

He was eleven and I was fifteen

Once in a while you stumble upon an album that is so hopelessly deluded you wonder why nobody has told you about it yet and why the hell so few people know it in the first place. Marc Tucker's Batstew from 1975 is something like this. The whole album is based on and around Tucker's then-car The Bat and then-girlfriend Eva Bataszew; there are tracks based on the sounds of the car, there's a bunch of naive-sounding songs (including the gay anthem Sideways Love Forever), mixed with field recordings of the suburbs Tucker lived in (you can kind of feel the presence of his car even when it's not heard), speech samples, audio experiments. It's thrilling, scary and somehow haunting at once. Here are three tracks from it.


Download Mark Tucker - Sideways Love Forever (224 kbps, 6,70 mb)
Download Mark Tucker - I'm Nothing (224 kbps, 6,61 mb)
Download Mark Tucker - Submerged Bat Vortex (224 kbps, 22,70 mb)
Buy Batstew from De Stijl (RIAA-free!)

Montag, 26. Februar 2007

Moooohieee!

The singing saw, also known as the musical saw, is basically a wood-cutting saw or so, played with a bow and very reminiscent of the theremin in its sound. Now, the singing saw was basically nothing so much new in the 1920s when Sam Moore played it; still, this has its place in the history of early 20th century musical experiments and the sound of the saw to the accompaniment of a Hawaiian guitar is quite lovely. Laughing Rag, besides, sounds sort of like Hawaiian ragtime. Again, Japan-based Em Records released a compilation of Moore's recordings and here are three tracks from it.


Download Sam Moore - Old Black Joe (192 kbps, 3,82 mb)
Download Sam Moore - Laughing Rag (192 kbps, 4,04 mb)
Download Sam Moore - Mother Machree (alternate version) (192 kbps, 4,21 mb)
Buy Sam Moore - Moooohieee! - musical saw and Hawaiian guitar soli recorded in early 1920s from Em Records or Dusty Groove America (RIAA-free!)

Freitag, 23. Februar 2007

With hysterical spasms of laughter



An old friend of mine once told me he wanted to make music using bird singing. Later, he gave up, saying what came out wasn't really convincing. However, as with almost all ideas of this kind, this already had been done, in this case in the 1950s by then-CBS musical director Jim Fassett. Semi-professional novelty collectors The Record Robot posted some Fassett stuff earlier and thus Tony from RR is the one I heard about Fassett from. Here's what the description on Em Records' web site says:

"CD reissue of the historical 1950s LP, featuring a three-track multi-speed tape collage "Symphony" made by ONLY the nature birdsongs (it's REAL), plus regular-speed and time-stretched field recordings, and explanations from the man himself. Jim Fassett was the musical director ob CBS radios in 50s-60s, and also famous as the author of another concrete works "Strange to Your Ears" in 50s. The kinda roots of recent field recordings/drones stuffs. Totally birdsong mania!"

Totally birdsong mania indeed. Basically, what Fassett did was - so he says in the explanations - altering the pitch and speed of the field recordings on a tape machine, and although you can't expect much concrete greatness here and it's more of a case for The Record Robot, I give you the "explanatory comments" included on the CD re-issue plus the first movement of the symphony.

Download Jim Fassett - Explanatory comments (192 kbps, 8,79 mb)
Download Jim Fassett - Symphony Of the Birds, First Movement (192 kbps, 9,41 mb)
Buy the Symphony Of the Birds from Dusty Groove America or from Em Records (RIAA-free!)

Donnerstag, 22. Februar 2007

The Highway Is Jammed With Broken Heroes

Sadly, Jason DiEmilio, better known as leader of and essentially The Azusa Plane, has committed suicide in the end of last year. His music, starting from space rock/ambient drone works, developed itself towards noise and free improvisation later on. Today I'm giving you "No Future", one of the two tracks off The Azusa Plane's last album, "The Highway Is Jammed With Broken Heroes": quitar "picking", joined by what seems to be equipment noises. Enjoy.


Download The Azusa Plane - No Future (192 kbps, 39,60 mb)
Buy The Azusa Plane - The Highway Is Jammed With Broken Heroes from (K-RAA-K)³ (RIAA-free!)

Samstag, 17. Februar 2007

Black Ships Eat the Sky

So, a newly mixed version of Current 93's latest labum, Black Ships Ate the Sky, has been released in December of last year, named the same except for the tense. In case you didn't have any idea they had this album, "Black Ships Ate the Sky" is probably the "lightest" thing Current 93 have ever done.


The new version didn't seem to sound THAT very different from the "standard" version to me on large parts (it does sound different, but the Durtro site said "this is an absolutely ALTERNATIVE version of the BLACK SHIPS ATE THE SKY album" - accentuation left, etc.), but then again, I haven't listened to the whole thing yet so it might very well be so. Anyway, some tracks do sound very elsewise and on the whole, it really has a more "acoustic" touch to it. Enjoy and don't get confused over the version numbers of "Why Caesar Is Burning", they put part I on the alternate version.


Download Current 93 - The Dissolution Of the Boat "Millions of Years" (192 kbps, 5,49 mb)
Download Current 93 - Why Caesar Is Burning, pt. II (192 kbps, 3,90 mb)
Buy Current 93 - Black Ships Ate the Sky (North American edition) from Durtro (RIAA-free!)
Buy Current 93 - Black Ships Ate the Sky (European edition) from Durtro (RIAA-free!)

Download Current 93 - The Dissolution Of the Boat "Millions of Years" (192 kbps, 5,13 mb)

Download Current 93 - Why Caesar Is Burning, pt. I (192 kbps, 3,87 mb)
Buy Current 93 - Black Ships Eat the Sky from Durtro (RIAA-free!)

Freitag, 16. Februar 2007

Mountains and Rivers

Following yesterday's entry about Auktyon, here is a track made by band leader Leonid Fyodorov, keyboardist Dmitriy Ozerskiy, some guy called Voloshin and poet Anri (Henri?) Volohonskiy which is completely different from Auktyon. Although Fyodorov does sing the melody used in "O Pogode" without lyrics. Much rather, though, this is a piece of experimental ambient music with Volohonskiy's breaking voice seemingly recorded on some cheap device and blending with the sounds in the background. Beautiful and haunting from the beginning to the end.


I'm posting the title track.

Download Volohonskiy, Fyodorov, Ozerskiy, Voloshin - Gory i Reki (Mountains and Rivers) (256 kbps, 28,7 mb)

Buy Gory i Reki from RussianDVD.com (RIAA-free!)

Montag, 12. Februar 2007

This is Alessandro Bosetti, bitch.

Say, have you heard of Alessandro Bosetti? Of course you have. If you haven't, you should have. You should definitely listen to him that's for sure. Whether this still counts as jazz is hard to tell, but who cares anyway. Bosetti describes himself as a "composer, sound artist, saxophonist" on his website, and today I'm giving you two tracks, one solo from "Zona", the first album I've ever heard of him; it was on a morning I remember. You should give "Zona" a listen in its entirety on a morning, it's a very special experience. Hell, just listen to the track first and maybe you'll see what approximately I could mean. The second one's from "Oreledigneur", a collaboration with Renato Rinaldi and Guiseppe Ielasi (not to be confused with the same-titled duo album by Rinaldi/Ielasi) which sort of gives you the impression the music played around and in your head. Full-blown avantgarde for you, good appetite.

Download Alessandro Bosetti - Zona, Track 1 (256 kbps, 23,3 mb)
Alessandro Bosetti - Zona on Grob's website
How to buy Zona (RIAA-free!).

Download Renato Rinaldi, Guiseppe Ielasi, Alessandro Bosetti - Oreledigneur, Track 1 (192 kbps, 7,26 mb)
(I have no idea how to buy Oreledigneur from anywhere so if anyone could help it would be appreciated).